The Origins of Connoisseurship

EMILE ZOLA’S 1873 novel Le ventre de Paris (‘The Belly of Paris’) opens with a pre-dawn parade of horse-drawn carts laden with produce making their way to Les Halles, the city’s great public food market.  Although the story unfolds during the Second Empire (1851-1870), the scene would have been familiar to a Parisian of the eighteenth or even…

Sorting wine sensations Bitterness, astringency, tannin, and texture are related but distinct. Here's how to think about them.

My experience pouring in the wine corner for the Formaggio Kitchen clientele two nights each week has convinced me that there is no experience casual wine drinkers struggle to describe quite so much as what one might call the bitterness-astringency-tannin-texture constellation. If I were feeling bold, I’d venture to say that for very many of…

What’s hot in the world of wine?
The world of wine, that’s what
The world of wine, that's what.

In 2004, independent filmmaker and ex-sommelier Jonathan Nossiter administered a grand cru skewering to some of Big Wine’s biggest wigs with his quirky, accusatory documentary Mondovino.  In one of the film’s more memorable scenes, Michael Mondavi, son of the late Robert Mondavi, shares his dream of one day making wine on the moon. With a space program…

Final Exam We say adios to America's Test Kitchen with a quiz

If you heard the on-­air piece, you know that this is the last wine segment Chris and I will do for America’s Test Kitchen Radio.  So it seemed like a good time to see how much Chris has learned over the five years we’ve been a team. In fact, he did quite well, although there were a few answers we disagreed about. If you’ve been a regular listener, you might do even better. The questions follow, and below…

The wine world is in the pink.
Is that a good thing?
America's Test Kitchen Radio

When I started writing about wine lo these many years ago, it was something of a struggle to interest readers in pink—rosé—wine.  At the time, the only examples most consumers had encountered were   marketed as “white zinfandel”or “blush.”  These were highly technical wines made on an industrial-scale. A bit of carbonation and sugar was often added and there might be an aromatic grape — like gewurztraminer or muscat — thrown into the mix. By the mid­-nineties these wines had taken on a distinctly declassé character—nobody with even a smidgen of pretension to sophistication wanted to be seen drinking them—and with good reason. But, by taking rosé off the table completely, lots of good wine—indeed a whole category—  was being ignored, it seemed to me. And if one travelled now and then, one knew that the quality rosé wines of Provence, for example, could be very good. Interest in the Mediterranean diet was just cranking up then—and it was a natural accompaniment to much of it. Well, things have changed. Today pink wine is hot, and the time seems right to interrogate it.  What’s out there? How do we organize them?  What impact are they having?  What do consumers need to know about them? Let’s start with some history. The story of red wine that isn’t really red reaches back to the ancient world. We know from Roman agricultural treatises that landowners…

Waiter, There’s a rock
(herb, green bean) in my wine!
America's Test Kitchen Radio

It’s not easy to translate sensation into words, but sommeliers, retailers, and even winemakers are under constant pressure to do it. Much of the rhetoric that ensues is fanciful and frankly useless, but a handful of terms now seem to have entered what might be called wine’s universal, if unofficial, lexicon—a set of terms most…